Criticism |
Daprai portrays Dali - He drinks the milk from the master and already he makes it turn sour- The encounter Dali - Daprai at the Hotel Meurisse (Paris) proves it.
In front of the canvas which represented him knelt Dali feigning indifference raised his sight up to the ceiling. Catastrophy for Salvador: The ceiling of the Meurisse is in itself a true painting of Daprai.
If Louis II had known Daprai, he would have asked him to paint anew the sky of Bavière "What will be the color of the fresco?". Color flake of orange.
He finds his sublimation in the beauty of a Renaissance II Style. Gonzague Saint Bris |
Music is the expression of the highest artistic ideal : reflection of celestial harmonies, it places man directly in front of the deepest mysteries of life. Daprai may endorse this statement made in the spiritual Charter of Humanity (1946) so much it is true that he is sensitive to the mysterious sides of life that Einstein said to be the most beautiful thing that we may experience and defined as the deep feeling which is found in the crib of Art and true Science. Jean-Louis Monod |
The personalities of the XIVth Arrondissement
Jean Daprai occupies a special place; he cannot be classified into the different trends of contemporary painting. His inspiration is a quite personal one: the internal cosmos he conveys to us via the art of colours does not belong to anyone else. Nobody but him has made his paint-brush travel through this universe, which is - sometimes in a fantastical, symbolic, strange, but always realistic way - close to our emotions. Daprai is always he himself. But who is he really?
Philippe Leyder |
The Magic of Poetic Surrealism In Jean DAPRAI's works, I see the announcement of a surrealistic realism, ranking among Chirico, Magritte, Dali, Delveaux or Chapelain-Midy. There is a presence of the real world as well as of the imaginary world, which gives us the vision of a double world where the image of man, and especially that of woman, takes an important position. We are at the antipodes of "nature morte" (still life). Like the magicians of the Renaissance, he makes us travel in space and discover the magic of dream; impressed by this peculiar chromatic concordance and harmony of his own, we feel the charm and virtuosity of his style of painting. Due to his power of imagination and inspiration, we are able to discover the other side of the mirror. The painter's palette is, though very varied, always harmonious in its combination. The colours are never harsh or gaudy; they interpret a sweet, serene and poetic melody. Jean Daprai's works are a reflection of the unconscious which makes us ponder over and poetize our imagination ... . We are travelling ways of adventure and if we are lucky, ot the inspiration of the moment . We can find in it the magic of the picture with its personal symbolism, close to the masters of the Renaissance. Daprai's art of painting is characterized by his care about harmony, which refers to its entirety as well as to the tiniest detail, and poetic reality is symbolized by the feminine. Everything is described and suggested with taste. He expresses himself with finesse in a very particular form of realism, just as Baudelaire wrote: "Reality only exists in dreams". His art represents the confirmation and discovery of a wonderful, secret world. It transfers deep emotions. The rhythm and the execution of his plans, the connection of forms and colours, the concordance of tones, techniques, even of materials, be it water-colour paintings or gouaches of a delicate taste or oil-paintings with a powerful and subtle expressive quality: all of them contribute to convey the secrets which are concealed in the earth and in our souls. The masterly treatment of light, the mother of secret and splendour, confers to DAPRAI's paintings a kind of authority, authenticity, and logic which has been felt and recognized by amateurs and connoisseurs for they can neither forget good taste nor lose nostalgia. The painting "Hymn to Life", a monumental work of two metres, which depicts four mothers, decorates the restaurant "Le Chaumière", Porte des Lilas, in Paris. It is the restaurant in which the first meeting of Edith Piaf and Marcel Cerdan took place. This painting is remarkable because of the composition and harmony of colours. Within this trilogy of surrealism, symbolism and fantasy, Daprai's art of painting reveals itself as original and extremely personal; it touches us by the freshness of the emotions expressed, by the shine of its light, by the serenity and purity of its design. We can find in it the echoes of secret charms of Orientalism, an expressive form of refinement which results in subtle poetry. Without being aware of it, we sense the magic charm of this exceptional oeuvre, the work of a magnificent creator and visionary, who imposes his universe on us and who leads us into his secret gardens where life in all its forms seems to be a fairy tale. Jean Daprai's oeuvre ranks among the names of eminent contemporary surrealistic painters, it is part of the authentic values of our time. Now it is our turn to discover it, to evaluate and to appreciate it in its fullness. Tomorrow there will be reserved for it an important page within the golden book of surrealism. Extract from "Vision sur les Arts" |